A short film made using deepfake technologies and techniques. The film is a surrealist, ideological horror film narrated by a digital facsimile of Sarah Palin trained on thousands of hours of audio.
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As George Orwell's 1984 enters the public domain, how might we use that lens to explore historic relationships between truth, surveillance, and artificial intelligence technology today?
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Thinking about the reductive role of symbols in computing, and how I tried (and failed) to transcend it by building a synthesizer out of an eagle and three satellites.
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Like any other piece of data, the way we define colors — and describe the natural world — has been shaped by a series of decisions related to economics and technology.
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How a room full of artists, researchers, curators and technologists collaborated with a machine to produce a manifesto for human-computer art — and what it tells us about the future of AI, ethics, and human agency.
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