A dreamlike experimental video essay using found footage, compression artifacts, and glitched AI imagery to disentangle the human mind from the metaphors of mind as applied to generative AI.
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A seminar on the Algorithmic Sublime delivered at the New School for Social Research, NYC, in November 2024.
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Comments from a seminar on Gaussian Pop and AI music at the Royal Melbourne Institute of Technology.
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An homage to experimental filmmaker Stan Brakhage pairs AI-generated noise with moths made of data.
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What remains when archives become datasets? Written for my Flickr Foundation Research Fellowship, these pieces look at archives as AI infrastructure and the ways the past “haunts” generated images as a result.
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What if we created a diffusion model that ran on pure chance, instead of data-driven constraints?
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Exploring the datafication and distortions of generative AI.
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A video installation piece about AI, archives, training data, and memory.
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The history of AI images as data analytics, and AI art as the aestheticization of Big Data’s politics.
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An exhibition focused on the creative misuse of AI systems, presented at the world’s largest hacker convention’s AI Village.
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A short “documanifesto” on how Diffusion models work, concerns about their logic, and my attempt to resist them through creative misuse.
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A short film made using deepfake technologies and techniques. The film is a surrealist, ideological horror film narrated by a digital facsimile of Sarah Palin trained on thousands of hours of audio.
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A series of Diffusion-generated images consisting entirely of elements that AI cannot produce.
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Building a cybernetic mushroom synthesizer to explore design frameworks for nonhuman worlds.
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On George Brecht, chance, and anticonceptualism in AI imagery.
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Introducing LutteCoin, a blockchain against spectacle, created in collaboration with Şerife Wong for the Media Archeology Lab at UC Boulder & King’s College, London. The work was presented to the UN Internet Governance Forum in December 2021.
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A pre-history of 3D imaging written for Ren Gregorcic’s photogrammetry sculptures.
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The machines that nudge us can be nudged back: Here are some ideas on how to steer them.
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Thinking about the reductive role of symbols in computing, and how I tried (and failed) to transcend it by building a synthesizer out of an eagle and three satellites.
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Exploring covid-19 stock photographs and their machine-generated descriptions is a surprisingly poetic task.
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