An exhibition at the National Communication Museum in Melbourne, curated by Eryk Salvaggio, Emily Siddons and Joel Stern.

Developing a critical AI puppetry workshop for a residency at the Mercury Store, Brooklyn.

Notes on the development of a performed archive with interpolation and robotics.

A dreamlike experimental video essay using found footage, compression artifacts, and glitched AI imagery to disentangle the human mind from the metaphors of mind as applied to generative AI.

A seminar on the Algorithmic Sublime delivered at the New School for Social Research, NYC, in November 2024.

Comments from a seminar on Gaussian Pop and AI music at the Royal Melbourne Institute of Technology.

An homage to experimental filmmaker Stan Brakhage pairs AI-generated noise with moths made of data.

What remains when archives become datasets? Written for my Flickr Foundation Research Fellowship, these pieces look at archives as AI infrastructure and the ways the past “haunts” generated images as a result.

What if we created a diffusion model that ran on pure chance, instead of data-driven constraints?

Exploring the datafication and distortions of generative AI with a narrative centered on the life of Henrietta Lacks, and the difficulty of representing her.

A video installation piece about AI, archives, training data, and memory.

Two essays: The history of AI images as data analytics, and AI art as the aestheticization of Big Data’s politics.

An exhibition focused on the creative misuse of AI systems, presented at the world’s largest hacker convention’s AI Village.

A short “documanifesto” on how Diffusion models work, concerns about their logic, and my attempt to resist them through creative misuse.

A short film made using deepfake technologies and techniques. The film is a surrealist, ideological horror film narrated by a digital facsimile of Sarah Palin trained on thousands of hours of audio.

An interview with Dogbotic's Kirk Pearson on Analog Electronics and DIY Generativity.

A series of Diffusion-generated images consisting entirely of elements that AI cannot produce.

A conversation with sound artist and writer Bani Haykal, exploring human-machine intimacies through the media of interfaces, poetry, and sound.

A conversation about mushrooms, post-human systems design, extractive capitalism and what lays beyond.

Building a cybernetic mushroom synthesizer to explore design frameworks for nonhuman worlds.

A text about reading AI images as infographics.

On George Brecht, chance, and anticonceptualism in AI imagery.

Introducing LutteCoin, a blockchain against spectacle, created in collaboration with Şerife Wong for the Media Archeology Lab at UC Boulder & King’s College, London. The work was presented to the UN Internet Governance Forum in December 2021.