An exhibition at the National Communication Museum in Melbourne, curated by Eryk Salvaggio, Emily Siddons and Joel Stern.
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Developing a critical AI puppetry workshop for a residency at the Mercury Store.
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Notes on the development of a performed archive with interpolation and robotics.
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"Dance Like" is a music video about dancing to music created by a disembodied system that does not understand what a body is or how it moves.
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A dreamlike experimental video essay using found footage, compression artifacts, and glitched AI imagery to disentangle the human mind from the metaphors of mind as applied to generative AI.
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A seminar on the Algorithmic Sublime delivered at the New School for Social Research, NYC, in November 2024.
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Comments from a seminar on Gaussian Pop and AI music at the Royal Melbourne Institute of Technology.
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Part of a series of short meditations on compression algorithms.
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An homage to experimental filmmaker Stan Brakhage pairs AI-generated noise with moths made of data.
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Exploring the compression of time within the latent space of generated AI video & sound models.
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What remains when archives become datasets? Written for my Flickr Foundation Research Fellowship, these pieces look at archives as AI infrastructure and the ways the past “haunts” generated images as a result.
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What if we created a diffusion model that ran on pure chance, instead of data-driven constraints?
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Exploring the datafication and distortions of generative AI.
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The success of the information age has made information, which was once scarce, overwhelming. Now we enter the Age of Noise. Video & text from FACT 2024 at the Australian Centre for the Moving Image
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A video installation piece about AI, archives, training data, and memory.
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The history of AI images as data analytics, and AI art as the aestheticization of Big Data’s politics.
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An exhibition focused on the creative misuse of AI systems, presented at the world’s largest hacker convention’s AI Village.
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A short “documanifesto” on how Diffusion models work, concerns about their logic, and my attempt to resist them through creative misuse.
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A short film made using deepfake technologies and techniques. The film is a surrealist, ideological horror film narrated by a digital facsimile of Sarah Palin trained on thousands of hours of audio.
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